Internationally renowned dance artist and DanceEast Choreographic Development Award recipient, Didy Veldman, launches her own company Umanoove with The Happiness Project, a choreographic investigation of western society’s endless search for fulfilment.
This supremely physical and theatrical full length work for four dancers is made in collaboration with designer Kimie Nakano and celebrated composer and violinist, Alexander Balanescu, who will be performing live through out the performances.
'I have been curious for many years why we chase after happiness like it is some sort of object we can buy, hold onto or even re-create. I wanted to develop a choreographic work for an intimate space, with very experienced dancers. The Happiness Project gives me the opportunity to delve into this subject matter, physicalise and question if happiness can exist without unhappiness and discuss with my creative team how each individual deals with seeking happiness. I see this process as a journey which I started 5 years ago and it will end with 'The Happiness Project'.
THE HAPPINESS PROJECT
“You don’t want it to end, you want to hold on to it, put it in a box labelled “mine – hands off!”
Glasgow Herald *****
“The Happiness Project is terrifically enjoyable and, marking the long-awaited launch of Veldman’s own company, it promises even better things to come.” The Guardian ****
“Veldman sure knows how to pick all the right ingredients for a dance show. Balanescu and the 4 dancers - world-class contemporary movers and terrific dramatic communicators - do a stunning job individually and collectively” Dance Tabs
“Fuelled by live and recorded music – a truly fine cast includes the composer Alexander Balanescu, a violinist with a fascinating onstage presence – the dancers’ skilful, shared sense of exploration keeps things fresh and engaging.” The Times
“So often, happiness comes from the uncomplicated things in life ... One might add spending an hour in the company of four fabulous dancers exploring some thoughtful ideas in a piece that more than holds the interest throughout.” Seeing Dance